Darren’s judging style is unique, and has been developed through listening to club feedback about what they want to see from judges. Having worked professionally in the field for over 15 years Darren understands a variety of subjects, how they should be photographed and how they should be post processed, therefore the judging is well rounded and fair to all members specialisms.
Trained and Accredited as a Kent County Photographic Association (KCPA) and Federation of South London Photographic Societies (FSLPS) judge. References are available from the secretaries of Parkwood or West Wickham camera club.
1) Introduction – Darren will introduce himself and his judging style, laying out exactly what it is he is looking for in a specific competition as this will vary depending on if it is a print, PDI or set subject competition. If time permits Darren will explain the differences in marking of the same image between different judges on different evenings and why the marks will vary.
2) First run through – For prints Darren will look through all images quickly before commenting. With DPI it is asked that a quick slideshow is shown before judging commences, then on the second run through he will comment, Hold or Mark. This is the preferred method by the judge to make sure that marks are consistent with the comments, however if the club wishes all marks to be done at the end then the judge will accommodate, please bear in mind that this style is more suited to evenings with a lower amount of imagery.
3) Firstly the technical abilities of the image will be judged, what did you do right in camera, what did you do wrong in camera and then you will be given some suggestions on how to correct this.
4) Secondly your post production ability will be judged, what did you do right in post, what did you do wrong in post and where possible you will be given some keywords to help you research methods for correction.
5) Now the technical aspects have been marked, which form a very small part of the process the judge will look at your image title. What are you trying to tell the judge of the reason you took the image? Be very careful with the titling as if you give a latin name it will be judged as a natural history shot and not pictorially. From your title you will be judged on how successful your image was to tell this story.
6) The final step is to look at the atmosphere, emotion and personal connection that the image gives. If an image is very strong in emotion or atmosphere this can outweigh that of an image which is better technically and therefore may score higher.
Presentation – For clubs that have tiered groups presentation will be marked down for the higher ability groups but not the beginner groups. On print evenings paper choice and mounting will be considered and for PDI’s borders will be considered.
Darren believes it is important to explain his judging and why a certain image attaind a certain mark. The evening becomes what is should really be called, a “Constructive Criticism” evening and not just a competition. Far too many judges are critical but do not offer suggestions technically on how to improve that image. Darren believes that you need all 4 parts to successfully judge a competition.
1) Kiss – tell them something good about their image.
2) Slap – tell them what is wrong with their image.
3) Soothe – tell them not all is lost and offer suggestions of how to correct the image in camera or in post.
4) Kiss – finish off by saying something nice again.
Please find in this download a guide to judging by Darren Woolway of which was presented at the KCPA Judges Training 2016. DOWNLOAD HERE
I just want to say a personal thank you for your judging tonight at Orpington. I thought your approach and comments were fair, kind and informative all wrapped up together and easy to understand.
It was good to hear your explanation of your judging process, and I thought your criticism of the images was both informative and constructive. All too often judges will say what they think is wrong with an image, but give no clue as to how the photographer could improve or correct it. So thanks again for your efforts tonight, and we look forward to seeing you again next year.
All members present said how they enjoyed your company and comments on their work. With a refreshing change in the style of judging using the full range of marks. The hints and tips you gave us were thought inspiring as some of our members are not proficient in Photoshop.
I so wish I had been able to see you judge our Landscape competition. So many members have expressed how they enjoyed your style and learnt from your comments.
We were much impressed with your perhaps unique style in ‘arbiter elegantairum’ in our first print competition of the season. Your in depth criticism was helpful for all levels of ability, without being stale and repetitive, and (thank goodness) without corny, tired jokes. Definitely a breath of fresh air.
It was a great way to get the competition season off to a successful start. It was a large entry, but you still found time to access and comment on every image. I am sure that your constructive comments will help members’ to improve their work in time for the next competition and appreciated both the care you took and your enthusiasm.
The enormous depth and breadth of your experience and knowledge of photography is reflected in the expert way you handled the judging of our entries. You showed your superior technical competence in the vast range of criteria you mentioned in your critiques and in the equally vast range of suggestions you offered us on how we might even improve the best of our images. You spoke clearly without repeating yourself and you held our attention throughout the evening because what you had to say was really worth listening to. You had something good to say about every one of our images and couched your advice in such positive terms that we did not feel let down.
Bookings Completed in 2016-2017 = 33
Bookings Completed in 2017-2018 = 32
17th September 2018 – Judging Abstracts at Gravesend – COMPLETE
24th September 2018 – Ghost talk at Whitstable – COMPLETE
15th October 2018 – Judging Prints at IOT – COMPLETE
16th October 2018 – Judging Mono Prints at Aperture – COMPLETE
29th October 2018 – Judging Mono at SLPS – COMPLETE
1st November 2018 – Talk on Compositing at Gateway Dover – COMPLETE
6th November 2018 – Talk on My Journey at Orpington (Barrie Duffield) – COMPLETE
19th November 2018 – Talk on Artificial and Mixed Lighting at Parkwood – COMPLETE
20th November 2018 – Talk on Compositing at Photofold Camera Club, Billericay– COMPLETE
28th November 2018 – Talk on Ghosts at Sittingbourne – COMPLETE
10th December 2018 – Judging PDI’s at Medway DSLR Club – The Walnut Tree– COMPLETE
7th January 2019 – Talk on Notting Hill at Gravesend– COMPLETE
9th January 2019 – Talk on Compositing at Deal– COMPLETE
5th February 2019 – Judging DPI’s at West Wickham
12th February 2019 – Judging Manipulated Image at Malling PS
13th February 2019 – Judging Prints at Canterbury
26th February 2019 – Judging Mono Prints at Orpington (Barrie Duffield)
1st April 2019 – Judging Bromley CC Exhibition (Day Time)
1st April 2019 – Judging at Folkestone
8th April 2019 – Lecture on Notting Hill Carnival at IOT
16th May 2019 – Presentation of Awards at Bromley Library
21st May 2019 – Lecture on Ghosts at Herne Bay
24th June 2019 – Judging Colour Prints at SLPS
27th September 2019 – Lecture on Ghosts/Levitation at Eastbourne
1st October 2019 – Malling Photographic Society, Talk TBC
4th October 2019 – Talk at Selsdon on Composites TBC
26th November 2019 – Aperture Woolwich Finals
28th November 2019 – Artificial and Mixed Lighting at Bromley
3rd December 2019 – Judging DPI at West Wickham
9th December 2019 – Judging prints at Gravesend CC
12th February 2020 – Artificial and Mixed Lighting at Deal
7th April 2020 – Talk on Notting Hill Carnival at Hastings
21st April 2020 – Orpington Colour Print Final